PARADISE BLUE by Stan Mazin (Guest Reviewer)
I fell in love with “Paradise Blue”, the
production on the MainStage at the Geffen Playhouse, which I saw Friday,
November 19th. This beautiful piece of theatre
has everything going for it… Wonderful Set by Edward E. Haynes, jr., Great
Lighting by Alan C. Edwards, Luscious Costumes by Wendell C. Carmichael, and
some lovely Original Music by David “Preach” Balfour. Even the sound Designer, Jeff Gardner worked
in some Thunder in the final act to emphasize dramatic moments, although I did
hear some people say the actors were not loud enough to be heard in the back of
the theatre. The Fight Direction was by
Steve Rankin, and they even had an Intimacy Choreographer, Nedra Constance
Gallegos. The Director Stori Ayers kept
the action going and the play never got boring or ordinary. This interesting play was written by
Dominique Morisseau, and every scene was packed with LIFE, drama, and even some humor. The play takes place in the late ’40s in the
Black Bottom jazz section of Detroit, in a less than successful jazz club
called Paradise. Each of the 5
characters in the piece is etched out brilliantly, and the actors are nothing
but exquisite in their performances.
Blue, the owner of the club is played by Wendell B. Franklin. Blue is probably the most troubled character
in the play due to his background. His
female interest is Pumpkin, innocently played by Shayna Small… a terrific
performance who changes dramatically at the end of the play. Corn is played with great strength by John
Earl Jelks, who is also in the jazz group with Blue and P-Sam, who is probably
my favorite character if I had to choose one, brilliantly played by Alani
Ilongwe. It was difficult to take my
eyes off him. Finally, there is
Silver, a ‘worldly’ woman who comes to
stay in one of the rooms above the club.
Tyla Abercrumbie plays this complicated woman to the hilt. All in all a fantastic cast well directed on
this superb multi-level set. The story
captured me from the first moment of the play.
Although every seat was taken, we all felt completely safe since the
playhouse did a complete screening so no one could enter without showing his or
her proof of vaccination, and everyone except the actors had to keep their
masks on. Again, this play is being
performed at the Geffen Playhouse in the Gil Cates Theatre. I hope you love it as much as I did.