THE
DAUGHTER by Carol Kaufman Segal
The Daughter,
a modern adaptation of Henrik Ibsen’s The
Wild Duck, is a powerful film by Australian writer and director Simon Stone
that he originally wrote for the stage. It
centers around two families in a small town in Australia that relies on its
timber mill for its existence,’
The owner of the timber
mill, wealthy Henry Neilson (Geoffrey Rush), announces that he is closing the
mill that has been in existence for more than 100 years. No worries for Henry, but a catastrophe for
the town and its people.
Henry, whose wife
committed suicide some years ago, is getting married to his former housekeeper,
Anna (Anna Torv) a woman much younger than he.
Henry’s son Christian (Paul Schneider), who has lived for years in
America, returns home to attend his father’s wedding. Strapped with trouble in his own marriage
and fighting an alcoholic problem, Christian does not appear happy until he
runs into his long-time friend, Oliver (Ewen Leslie).
Christian finds himself
spending most of his time with Oliver and his family, his wife Charlotte
(Miranda Otto), their teen-age daughter Hedvig (Odessa Young), and Oliver’s
father, Walter (Sam Neill), who once had a close relationship with Henry. Christian sees his friend in a happy
environment with a loving and devoted wife, a close relationship with a teenage
daughter, and a very caring father. Walter even keeps a small refuge for
wounded animals on the property, and, after discovering a wild duck that Henry
shot and wounded, he adds it to the refuge.
In calls to his wife in
America, Christian’s situation goes downhill, and he begins to imbibe more
heavily. He is resentful of his father’s
marriage, and he becomes resentful of Oliver’s happiness. The moments are tense as he seems destined to
make trouble for everyone involved in his life.
Are his emotions bad enough to cause him to finally break down and
reveal long held family secrets that he, unexpectedly, discovered, secrets that
will affect the lives of both families?
The
Daughter is an exceptional film that keeps one’s interest
throughout its 96 minutes. All of the
actors give stirring performance, each giving reality to the production
(including Wilson Moore as Hedvig’s boyfriend Adam). Stone’s writing and direction are
well-honed.
The
Daughter is playing at Laemmle’s Royal in West Los
Angeles. Not rated.
RECOMMEDED
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